This title is a Taschen 25 - Special edition! This title deals with Vermeer's women, their duties and unspoken dreams. The 35 paintings that have come down to us from the hand of Jan Vermeer (1632-1675) place him beside Rembrandt and Frans Hals as one of the great masters of the golden age of Dutch art. Little is known of Vermeer's early life and training, though we can be cert...(展开全部)

Lawrence Gowing's classic study has long been treasured for the painterly sensibilities he brought to this greatly loved body of work. Finally the text is available again, with a new foreword and fresh reproductions of Vermeer's paintings.

路德维希·戈德沙伊德（Ludwig Goldscheider，1896—1973年）是一位出色的艺术史家和书籍设计师，也是费顿出版社联合创办人之一。他著书研究的对象包括莱奥纳多·达·芬奇、罗丹和维米尔。 韦恩·弗拉尼茨（Wayne Franits）是纽约雪城大学的艺术史教授，17世纪的荷兰和佛兰德斯艺术专家。其出版专著包括《剑桥维米尔指南》（2001年）和费顿出版社“艺术与观念”丛书系列的《维米尔》（2015年）。 马丁·贝利（Martin Bailey）是《艺术新闻》的撰稿人，曾任《观察家报》的艺术记者。其出版专著的研究对象包括维米尔、丢勒和凡·高。 ................... ※译者简介※ 北寺，自由译者，纳西族，出生于云南昆明，现旅居美国。先后在北京大学、香港大学、卫斯理学院和伦敦考陶尔德艺术学院学习艺术史。译有《纽约往事》《这就是...(展开全部)

Through a historical analysis of Vermeer's method of production and a close reading of his art, Daniel Arasse explores the originality of this artist in the context of seventeenth-century Dutch painting. Arguing that Vermeer was not a painter in the conventional, commercial sense of his Dutch colleagues, Arasse suggests that his confrontation with painting represented a very pe...(展开全部)

How did American and British policymakers become so enamored with free markets, deregulation, and limited government? This book--the first comprehensive transatlantic history of the rise of neoliberal politics--presents a surprising answer. Based on archival research and interviews with leading participants in the movement, Masters of the Universe traces the ascendancy of neol...(展开全部)

How did American and British policymakers become so enamored with free markets, deregulation, and limited government? This book--the first comprehensive transatlantic history of the rise of neoliberal politics--presents a surprising answer. Based on archival research and interviews with leading participants in the movement, Masters of the Universe traces the ascendancy of neol...(展开全部)

Drew Struzan has created some of the most iconic movie posters of the last 30 years, including Raiders of the Lost Ark, Star Wars: The Empire Strikes Back, Harry Potter and the Sorcerer's Stone and Blade Runner. This sumptuous hardcover edition, with a foreword by George Lucas, features over 250 pieces of artwork, including all of Drew's most iconic movie images, as well as...(展开全部)

Men in hardhats were once the heart of America’s working class; now it is women in scrubs. What does this shift portend for our future? Pittsburgh was once synonymous with steel. But today most of its mills are gone. Like so many places across the United States, a city that was a center of blue-collar manufacturing is now dominated by the service economy—particularly health car...(展开全部)

Pittsburgh was once synonymous with steel, but today most of its mills are gone. Like so many places across the United States, a city that was a center of blue-collar manufacturing is now dominated by health care, which employs more Americans than any other industry. Gabriel Winant takes us inside the Rust Belt to show how America’s cities have weathered new economic realities....(展开全部)

达尼埃尔•阿拉斯，1944年生于阿尔及尔，2003年卒于巴黎，是西方当代著名的艺术史家。早年就读于法国高等师范学院，后曾为罗马法国学院成员，并担任法国高等社会科学院研究部历史及艺术理论中心主任。阿拉斯的研究以绘画为主，特别是意大利16世纪和17世纪的艺术作品；此外，他也关注17世纪的荷兰画派及18世纪的法国绘画，并在晚年展开对于西方当代艺术的研究。著作包括《细节：为了建立一部靠近绘画的历史》《矫饰主义的文艺复兴》《莱奥纳多•达•芬奇：世界的节奏》《意大利的天使报喜图》《安塞姆•基弗》《我们什么也没看见》《绘画史事》《拉斐尔的异象灵见》等。 刘爽，中央美术学院人文学院讲师，美术学博士，主要从事“东西方艺术交流（15—18世纪）”“跨文化美术史”的研究工作。2016年曾作为访问学者，前往意大利博洛尼亚大学(Università di Bologna)深造...(展开全部)